11 February 2012 - 9:53 pm NZ time
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with Jim Mora
Monday to Friday, 1pm - 5pm
Not all audio is available due to copyright restrictions.
Dorothy Fitzpatrick of Whangarei chooses 'Cats in the Cradle' by Harry Chapin. (5′38″)
Can you work out the common theme amongst today's tracks? (10′55″)
This Friday, Hamilton's Hukanui Primary School will lift the lid on a groundbreaking 'green' first - the country's first eco-classroom to be designed and managed by its students. (9′49″)
The news out of the UK is that Monopoly has beaten out Barbie, Lego and Go-Go Hamsters to be voted the best value toy of the year. Here, the New Zealand Investment Game has topped the lot of the Games Association's best new games to come out in 2009. Like Monopoly, the object of the game is simple - be the player to make the most money! (9′19″)
The Maori cultural advisor for Te Papa says the recent return of koiwi tangata, or ancestral remains, was a major cause for celebration. Ana Tapiata talks with Hema Temara about their cultural significance. (5′14″)
Today's album is 'Magnetic' from New Zealand 's Miriam Clancy. She was on New Zealand Live about 2 months ago, and her second album has had the sort of reviews from leading critics that are quite rare. (1′23″)
We are joined by techno commentator, Paul Reynolds, managing co-director and co-founder of one of our oldest web companies, McGovern Online. (22′59″)
Over the last few weeks Alison Ballance has been bringing us stories from the Leigh Marine Lab about noisy fish, and the loud dawn and dusk choruses that snapping shrimps and sea urchins make. We also heard how lobster larvae might use the sound to find their way back to shore from the middle of the ocean. (12′20″)
With Gordon McLauchlan and Alison Renfrew. (26′20″)
With Gordon McLauchlan and Alison Renfrew. (23′29″)
Presenter:
Produced by Jimmy Stewart, Chris Reid and Susan Baldacci
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Afternoons with Jim Mora is a programme based on the daring proposition that people are capable of thinking in the afternoon as well as in the morning. This show aims to banish post-prandial torpor with lots of audience interactivity.
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