10 Feb 2019

VERDI: Otello

From Opera On Sunday, 6:00 pm on 10 February 2019

During a violent storm, the people of Cyprus await the return of their governor and general of the Venetian fleet, the Moor Otello. He has been fighting the Muslim Turks and guides his victorious navy to safe harbour. In his absence, the young Venetian Roderigo has arrived in Cyprus and fallen in love with Otello’s new wife, Desdemona.

Metropolitan Opera Season: Otello

Sunday 10 February 2019 at 6pm on RNZ Concert

Otello’s ensign Iago, who secretly hates the governor for promoting the officer Cassio over him, promises Roderigo to help win her. While the citizens celebrate their governor’s return, Iago launches his plan to ruin Otello.

Željko Lučić as Iago in Verdi's "Otello."

Željko Lučić as Iago in Verdi's "Otello." Photo: Ken Howard/Metropolitan Opera

Conducting sensation Gustavo Dudamel makes his Met debut leading Verdi’s towering Shakespearean masterpiece, in the first revival of Bartlett Sher’s gripping 2015 production. The cast includes dynamic tenor Stuart Skelton in the title role, star soprano Sonya Yoncheva as the devoted but doomed Desdemona, and outstanding baritone Željko Lučić as the treacherous Iago.

Conductor Gustavo Dudamel during a rehearsal for Verdi's "Otello."

Conductor Gustavo Dudamel during a rehearsal for Verdi's "Otello." Photo: Ken Howard/Metropolitan Opera

Shakespeare’s tale of an outsider, a great hero who can’t control his jealousy, was carefully molded by Verdi's librettist Arrigo Boito into a taut and powerful libretto.

Sonya Yoncheva as Desdemona in Verdi's "Otello."

Sonya Yoncheva as Desdemona in Verdi's "Otello." Photo: Ken Howard/Metropolitan Opera

 

The score of Otello is remarkable for its overall intensity and dramatic insight rather than the memorable solo numbers that made Verdi’s earlier works so popular. There are glorious arias in this opera, but equally important are the shorter vocal solos that cover considerable dramatic territory: The tenor’s opening “Esultate!” in Act I is just a few bars long but reveals many facets of his character.

Throughout the score, the orchestra plays a diverse role unprecedented in Italian opera, depicting a great range of colour—from the power of nature in the storm scene in Act I to a tender night of love to the opera’s chilling final scene.

Synopsis of Otello

Sonya Yoncheva as Desdemona and Stuart Skelton in the title role of Verdi's "Otello."

Sonya Yoncheva as Desdemona and Stuart Skelton in the title role of Verdi's "Otello." Photo: Ken Howard/Metropolitan Opera

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