Images from three exhibitions at the Adam Art Gallery, Victoria University of Wellington, discussed by Mary Kisler and Kim Hill on Saturday Morning, 23 November 2013:
John Panting: Spatial Constructions, curated by Sam Cornish;
Peter Robinson: Cuts and Junctures;
State of the Art: reproductive prints from the Renaissance to now, curated by David Maskill and his Honours students.
Left: John Panting, Untitled, 1972-73. Steel, 183 x 305 x 152 cm. Installation view, Adam Art Gallery. Image copyright of the Estate of John Panting and Poussin Gallery. Collection of Christchurch Art Gallery, Te Puna o Waiwhetu. Photo: Shaun Waugh.
Right: Peter Robinson, Cuts and Junctures, 2013. Cut wool felt, aluminum, perspex, installation dimensions variable. Installation view, Adam Art Gallery. Courtesy the artist and Hopkinson Mossman, Auckland. Photo: Shaun Waugh
Left: Jean-Baptiste-Siméon Chardin (1699–1779), The House of Cards c.1736, National Gallery, London.
Right: Pierre Filloeul (1696-1754) after Chardin The House of Cards (2nd State)
Installation view of State of the Art: reproductive prints from the Renaissance to now
Left: Giorgio Ghisi (1520-1582), after Michelangelo (1475-1564), Last Judgement fifth state, after 1650 (original date of publication mid-1540s) Engraving, 1223 x 1072mm, Private Collection. Right: Michelangelo da Merisi, Last Judgment, 1536-1541, Sistine Chapel, Rome
Details of Christ Judging Souls
Details of Biagio da Cesena as Minos, in the section known as the Damned and the Saved.
Jake (b. 1966) and Dino (b.1962) Chapman, Insult to Injury wallpaper 2009 unlimited edition, Digital print on wallpaper, photo: Ben Westoby. Courtesy White Cube and Page Blackie Gallery
Francisco de Goya y Lucientes (1746-1828), What more can one do? (Qué hai que hacer mas?), From The Disasters of War (Los Desastres de la guerra) plate 33, Plates made 1810-1892. From the second published edition, Madrid 1892 (first published edition, Madrid 1863), Etching, lavis, drypoint, burin and burnishing, 152 x 206mm, Auckland Art Gallery Toi o Tāmaki, purchased 1955
The images in this gallery are used with permission and are subject to copyright conditions.
